Wednesday, 29 March 2017


In our piece our group wanted to communicate and educate the audience on drug use and the affect that drugs can have on a person’s mind and lifestyle/choices. We wanted to communicate this to the audience through serious scenes as well as creating humour to not make the performance to dark and a constant negative vibe. We choose to do this through creating dark scenes known as ‘dream scenes’ as well as using the lighting and creating a lot of the dark vibes with the music we used in the background. We decided to use songs by The Tiger Lilies as they have a lack of beat and the lyrics that are used have a sinister vibe in the songs, which adds to the darkness of the scene. We wanted to show what drugs can do to a young person’s mind, and how they can almost completely take over the way your life goes. We also used the lighting to show this throughout, by using natural everyday lights of yellows and white whilst doing the naturalistic scenes, and then used coloured lights and the strobes too show the weirdness of the dreams, as well as to highlight the idea of your mind going to different places and having different thoughts whilst under the influence of the drugs Jack has been taking. We also wanted to show the effects that drugs can have on the actions taken, not just what they do to the mind. We showed this through the characterisation carried in Harrys character of Jack as at the start of the piece his character has a friendly and enthusiastic personality but as the performance continues we see his character traits change as he becomes more aggressive towards family and friends and begins to become more independent and pushes people away. I feel this was effective to the audience, as you could see Jacks relationship begin to fall apart, by tones of voice changing for example when Jack says the line “It’s none of your business anyway, why do you care?” and you start to hear the sarcastic and vicious tone in his voice, which later leads to the end of the piece where Jack sees himself in an argument with his ‘best friend’ and you can physically feel the tension building up between them. Another example created to show the effect of drugs of the human mind and its actions would be the last scene ‘Butchered’ and the acting brought into that, this scene was created to be a big plot twist on the whole performance, but to also create confusion to the audience of whether it was real life or fantasy. I feel this was effective as for example when using the song ‘Jack- TigerLillies’ to create a fearful affect, in the piece, and I feel the song and strobed red lighting, created the idea of an uncontrollable thought that was being created as it goes on to then end into the idea of ‘Jack the Ripper’ and by switching the characterisation to a strange, scary character that is uncontrollable, and used this to show what drugs can do.
We also wanted to communicate to the audience the humour side to our piece, we wanted to show that life is not always bad no matter what and that there can be good times in all negative situations. We also used a sense of humour nearer the beginning more than when the performance started to finish because we wanted to use the humour to show the connection between Jack and his family, and create a bond. We choose to show this through our characterisation and the personalities we created for their characters. All our characters were created to have a funny element to them as we thought this would benefit the audience interaction and the way the audience watched the piece to entice them into the piece. I feel this worked really well as we made the audience laugh on different occasions, for example when the characters of the Nan and Mum done a dance to an old fashioned song, we added this to have a random scene that doesn’t really connect to the performance to add an aspect of Kneehigh but we wanted it to be humorous so that the audience would stay interacted and interested.

Tuesday, 21 March 2017

WEEK 9

Over the last weeks we focused on only accepting and adding to the final piece and scenes we had. As we had spent a lot of the lessons, focusing on fully developing the first 3-4 scenes, we decided for the first hour of the first lesson to continue creating the Hansel and Gretel scene until we were happy with how it went, we decided to add a physical theatre movement piece to the instrumental of the song 'Human, Rag'n'BoneMan' , we wanted to add music into our piece were we could as we wanted to keep an on going vibe when there was no speech. We focused on using puppetry to show the witches taking control of our bodies, like the drugs take over Jacks body. We also thought this would be a good idea as it would attract the audience to watch and try to understand what is happening.

As we wanted to use the progress of the show to highlight the affect drugs can have on an individuals life and there personal relationships with family and friends we decided to create an argument linking from a scene beforehand were jack begins too lose focus on Amy and what she has to say, to show a few weeks down the line were Jack and Amy's relationship has completely fallen apart created by Jacks paranoia from the drug usage. It starts with a slow vibe of stress and anger, to show Amy still trying to offer support to Jack but as the argument continues Amy gives up more and more and by the end they are screaming at each other and the audience watch the whole relationship fall apart with the line that ends on "I'm done with this Amy". This is due to the fact that all though this is months after the dynamics of the argument are made to represent the time from where Jack began to take drugs to where the affect has begun to tear his life apart. This creates an effect on the audience as it creates an emotional attachment from the audience to Amy of how hard she has tried to work to help and support Jack and will show the affect of drugs and how at the start of the performance Jack was so enticed by Amy and her friendship to then see them fall apart, would make the audience feel apart of the friendship. By creating a relationship from the audience to Amy to then lead on to the 'Butchering Scene' would create such an unexpected twist, it would shock the audience as well as ending with a Kneehigh inspired scene.

The last scene "Butchered"has been inspired by the idea of Jack the Ripper as well as mixing in the idea of Red Shoes and how the shoes can not be taken from here fit so therefore have to be cut off. We decided to have red flood lights and strobes to create a scary affect and using the red to also represent blood and danger. We use the song 'Jack- Tiger lillies'  which has a weird vibe to it and has no beat but the lyrics are very twisted. We wanted to use a song that fits to the piece so that the audience understand the vibe of the scene. We use fake blood to create effect and contrast it onto white sheets to really highlight the blood.



WEEK 8

Over the 4 hours of lessons we had this week we firstly focused on creating the second dream of the performance where we used the idea of adding another fairy-tale/kids story, and took the context behind the Hansel and Gretel story to create Dream 2. We used this idea as we believed that this story would be well known to the public and would bring the audiences attention to the piece. We also thought that by using Hansel and Gretel instead of a really popular well known fairy-tale like Cinderella or Sleeping Beauty, we have more opportunity to open up the story to more unexpected twists that would not be encountered for in the real storyline but would make sense if the story was to be rewritten with these events. We decided to use the idea of the witch taking over there bodies instead of turning them into food, to show the aspect of a sinister style from Kneehigh. We wanted to make this scene contrast as more confusing and weird compared to the first dream which was based on a more demon like style to show drugs over taking the mind, where as in this dream we wanted to show more the affects drugs can have.

Once this dream was finished we began to piece together the whole performance to get it completely finished so we could then focusing on picking out the improvement needed parts and adding Kneehigh to create an overall performance. We decided to end the scene on the idea that Jack and the beanstalk could ink back to Jack the ripper but not too intensely. However, the twist into it is that this scene is really a dream but we also came to the conclusion as a group that this would be left as a cliff-hanger so that the audience can decide how to take the last scene and leave with the thought they want. We also believed that by doing this we would be adding more Kneehigh affect as it would be highly unexpected.


We wanted to complete the whole piece instead of just going scene by scene in detail as we believed some scenes would work better without trying to add loads of detail into it, to create a more naturalistic affect and then we could add detail into the sinister twisted scenes so there was a strong contrast, once the whole thing was completed and all the characters and their traits were completed we filmed the whole piece so we could watch it over, analyse it and create the changes necessary to add effect, and to make sure the whole performance together made sense.

Sunday, 19 March 2017

THRIVE performance

Live performance has nothing to say to a young audience

On the 4TH of March I went to Thrive at the Old Market Theatre in hove. It was a promenade show set in one location with props, set and lighting which emphasises the show its self. This is effective to a young audience as we were standing and not sitting. I feel this aspired to a younger audience as it was something unique and unusual and I felt it was effective as you could move around the surface and see multiple points of views from any angle; this is what I feel Toby Ealden wanted when planning set with the designer Barney George. It was effective as the three actors each had one side which was decorated to suit a personality and each was under a ladder to create a room type effect. For example, Ashleigh, played by Claire Gaydon, had a side of pure white which you could spray paint and interact with as well as some clothes and lights. This was effective as you could relate to her quirky nature which was suggested by the ‘arty’ styled decorations surrounding her area. I feel this may relate to a younger audience as of her personality is relatable to that of a younger age as of the way she moves and talks by using slang that today’s younger generation may use.  Her body language was very open. She would jump about o each step and always had her arms either side of her either doing a hand gesture that would emphasis a point she would be making by making her palm flat and fingers together, this made her seem bigger and almost as if she was inviting you into a hug. Her facial expressions where always happy and she would have her eyes open larger than usual and a smile when she wasn’t talking. This was effective as it spoke to a younger audience as this again allowed a younger person to connect with Claire as she seemed younger than what she really is age wise.
Another point that made it seem interesting to young people was the use of physical theatre. Someone who used it well was Ollie who was played by Daniel Morgan. His use of physical theatre was very interesting. It really made a younger audience link to him as he would use bold and big movements to portray his emotions which younger people may be able to link to. A place where he would do this well is after the death of his friend. He would use is arms and hands to cover his face and then fling them away in a robust anger type of movement that his face heighten as he appeared angry. He would do a set of movements over a beat of four which allowed a rush of emotions that would seem to be repeated and may overlap one another if they had felt the experience of losing someone close to them; this was shown through the movements. This would be effective for a younger audience as they may have lost someone or lost a relationship or a friendship and may have experienced emotions that could be perfectly described through the movements Daniel did; I feel Amy O’Sullivan wanted this as the choreographer. We then see this heightened by the fact that he started to seclude himself off using jenga bricks to create a wall type idea to the audience and then went into a big ball by tucking up as tight as possible. Personally I feel that Toby Ealden wanted this array of emotions to be portrayed as he may have wanted younger people to connect with this and especially those who have lost someone close to them. This links to the direction of the play as people could link to these emotions and personalities of these characters and almost put themselves in their shoes.
Another point that made it relatable was the ages of the characters and how they were portrayed to a younger audience. The younger generation are able to link to the characters due to the choices they make, their outfits, language choices and topics they might talk about. This is important for a connection as the younger generation may not be able to link with someone who appeared older due to a dry humour or experiences they have yet to live through. This must have been a point that Toby Ealden wanted due to characters being younger and being played by older actors. They needed to be immersive so the audience could quickly catch on to what they may be trying to show. This can be then be heightened by their choice of clothing which would have been a choice of both Toby and Barney George. A good example of this is Raph who was played by Luke Vernon. He had a snapback hat on backwards, trainers of an iconic brand and long baggy clothing has if he was aim to be a road man. I feel all the younger generation may associate this with being youthful as it many people tend to wear the same sort of stylised clothing that the character Raph wears. The actors also acted younger by being more flamboyant and robust with their movements and would speak faster so that their pace increased when speaking which would make them seem like the don’t have time to stop or have an enormous amount of energy when speaking about something, like the party for example. Ashleigh had a lot of energy for the party so spoke with a fast pace to almost make it seem more like a big event and something super exciting which you could link to a younger generation as throwing a party when only still in high school (years 11-13) would be a big deal especially if alcohol is involved. You could link this to acting and direction the play went. The acting would be important as the actors are acting younger than they are and the direction is important as you need it to flow and seem like a typical young teenager type atmosphere.

Thursday, 16 March 2017

WEEK 7

Over the two lessons this week, we managed to create and film a few new scenes and add music and lighting to them. As over the weeks before we had created a strong theme and overall idea and had all become comfortable and happy about the final idea we had created we wanted to focus on trying to create the overall piece quickly and then expand on the scenes once we had created the performance start to finish. We thought this would benefit us and our piece as we believe once we had a strong idea we would feel confident with the piece and would then be able to focus more on characters and adding more content, script and characterisation to the overall piece.


We decided that we would begin by creating relationships between the characters and focus on creating the physical theatre and movement that was going to be involved. We then focused lastly on scripting this scene. We decided to do this as we wanted to gain a personal perspective on how Kneehigh works and believed if we created a piece like they do, we would be able to understand how Kneehigh theatre company works.


My characters relationships take a while to break into in the performance, but here we see my characters relationship begin to blossom with the character 'Jack'. We see a connection created with in the idea of love and trust and see how strong their friendship becomes. We focused on showing this as we believed it would later create a stronger effect when the audience begin to see their relationship fall apart due to the drugs. It helped me develop a personality for my character and focus on showing these traits with in my acting. By looking into Kneehigh before hand it really helped us develop a strong idea on the way Kneehigh worked and made us focus on narration and adding a sinister effect to our piece.
We have naturalistic scenes with in our piece to create the idea of a basic lifestyle , and then using the more Kneehigh based sinister scenes to show the effects drugs can have on the human mind and family life.


Our first dream scene is the first sense of a mysterious and sinister scene we get, and is used to show Jacks first 'trip' on Drugs. We took an original song known, 'American Horror Story' and used the dubstep remix which created a scary and unexpected effect, and created a physical theatre movement piece with quick sharp demon like movements to put together a scene. We thought by using physical theatre we could create the effect of how the drugs completely take over Jacks mind and thoughts and show the weirdness of his dreams. Coming to this decision was difficult as we couldn't decide whether we wanted to go straight into showing how the drugs can take a bad effect or show the slow transition throughout the dreams of how drugs can cause positive trips but can lead to bad situations.